Donald Duck Goes South Walt Disney and the Inter-American Relations /
In the 1930s, with the rise of fascism and Nazism in Europe, President Franklin Delano Roosevelt believed that the United States would soon need the sympathy and cooperation of Latin America. His Good Neighbor policy sought to improve relations between the countries of the Americas. Walt Disney was...
Elmentve itt :
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| Dokumentumtípus: | Cikk |
| Megjelent: |
2024
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| Sorozat: | ALPHAVILLE: JOURNAL OF FILM AND SCREEN MEDIA
27 |
| Tárgyszavak: | |
| doi: | 10.33178/alpha.27.03 |
| mtmt: | 35082409 |
| Online Access: | http://publicatio.bibl.u-szeged.hu/33976 |
| Tartalmi kivonat: | In the 1930s, with the rise of fascism and Nazism in Europe, President Franklin Delano Roosevelt believed that the United States would soon need the sympathy and cooperation of Latin America. His Good Neighbor policy sought to improve relations between the countries of the Americas. Walt Disney was commissioned by Nelson D. Rockefeller, who was in charge of inter-American relations, to make a goodwill tour of Latin America in search of inspiration for films about the region. He and his group met with politicians and artists, researched local cultures, and personally experienced the region’s society, geography and wildlife. As a result of these experiences, Latin America became the setting for two Disney films in the 1940s, Saludos Amigos (Norman Ferguson, 1942) and The Three Caballeros (Norman Ferguson, 1944). The aim of this article is to describe the key role played by Walt Disney and his cartoon characters (especially Donald Duck) in the transformation of inter-American relations, especially from the aspect of culture. |
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| Terjedelem/Fizikai jellemzők: | 24-36 |
| ISSN: | 2009-4078 |