Sorozatok és irodalom - a tévéregények komparatisztikai megközelíthetősége
In what forms does the genre of the novel appear nowadays? Is it possible, that the novel, which always rewrites and cancels itself, reaches total emptiness? On which cultural levels can we thematise the necessity of the redefinition of the genres? Could the narrative toolkit of the postmodern liter...
Elmentve itt :
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| Dokumentumtípus: | Könyv része |
| Megjelent: |
JATEPress
Szeged
2009
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| Sorozat: | Bölcsészműhely
Bölcsészműhely, 2008 |
| Kulcsszavak: | Irodalomtudomány, Filmművészet |
| Tárgyszavak: | |
| Online Access: | http://acta.bibl.u-szeged.hu/75731 |
| Tartalmi kivonat: | In what forms does the genre of the novel appear nowadays? Is it possible, that the novel, which always rewrites and cancels itself, reaches total emptiness? On which cultural levels can we thematise the necessity of the redefinition of the genres? Could the narrative toolkit of the postmodern literature appear in a popular context? In this paper I discuss telenovels as a new form of the appearance of the novel along these questions. The investigation of the Latin American telenovels drives us to the questions of contemporary literary theory, such as the risomatic narrative structure that proliferates in itself, or the novel that demolishes its own frames. We can put forward the question, whether we can consider the telenovels as the popular appearances of the novel that thematises the problems of postmodern aesthetics. In my examination I compare the telenovels with some literary antecedents such as the tale of chivalry, and with contemporary examples, such as José Saramago. In my study I aim to the answer the question, whether the telenovels can be read as the continuation of the literary tradition and as an example of the contemporary novel that tries to define its own self-demolishing existence. |
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| Terjedelem/Fizikai jellemzők: | 39-51 |
| ISSN: | 1789-0810 |