Szempontok az egyházzenei áhítat műsorának kialakításában
By principle itsould fit the title of the conference and the style of a chamber choir. During the past decades our choir (Benedictine Church, Győr) gained sufficient practice in processions and pilgrimages (Győr Cathedral, Tétszentkút, Kunsziget and Cigléd, a Hungarian shrine in Slovakia, etc.) and...
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| Testületi szerző: | |
| Dokumentumtípus: | Könyv része |
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1998
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| Sorozat: | Szegedi vallási néprajzi könyvtár
1 Szentemberek - a vallásos élet szervező egyéniségei 1 |
| Kulcsszavak: | Vallási néprajz, Népi vallásosság - magyar, Egyházi zene - magyar - katolikus |
| Tárgyszavak: | |
| Online Access: | http://acta.bibl.u-szeged.hu/70275 |
| Tartalmi kivonat: | By principle itsould fit the title of the conference and the style of a chamber choir. During the past decades our choir (Benedictine Church, Győr) gained sufficient practice in processions and pilgrimages (Győr Cathedral, Tétszentkút, Kunsziget and Cigléd, a Hungarian shrine in Slovakia, etc.) and also in the musical service of high liturgy. The „HOLY MAN" („holy woman", choir-leaders) could see, hear and admire high liturgy with its Gregorian chants, and the „lesson" ofthe experience received from „above" was indirectly taken into their own practice. That is the first characteristic of the Hungarian Catholic „HOLY MAN". What the „HOLY MAN" could learn from high liturgy is the first aspect of the concert. What te present Church practice could relearn from the HOLY MAN'S customs conerning singing and praying is the second aspect. The rich ornament of songs in community singing (in Hungarian) could only be found among the Hungarian Csángós in Moldavia. That is whay a Moldavian Csángó woman sings her own church songs. (OH, SAINT STEPHEN...) Choir-leading as the presentation of songs of many verses is the most ancient form in community singing. (IN THE BEAUTIFUL CHURCH of PÓCS...): The ANGELUS DOMINI in the Székely and Csángó tradition is a late evidence of the „primary source" supposed by Kodály. VICTORIA: MISSA QUARTI TONI with the following two motets are to prove the chamber choir's polyphonic style. |
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| Terjedelem/Fizikai jellemzők: | 383-392 |
| ISBN: | 963 482 315 7 |
| ISSN: | 1419-1288 |