Remanences and Futurities Jonathan Rozenkrantz: Videographic Cinema /
Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video image...
Elmentve itt :
| Szerző: | |
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| Dokumentumtípus: | Cikk |
| Megjelent: |
2022
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| Sorozat: | DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA
6 No. 1 |
| Tárgyszavak: | |
| doi: | 10.21096/disegno_2022_1et |
| mtmt: | 33532294 |
| Online Access: | http://publicatio.bibl.u-szeged.hu/25884 |
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| 245 | 1 | 0 | |a Remanences and Futurities |h [elektronikus dokumentum] : |b Jonathan Rozenkrantz: Videographic Cinema / |c Török Ervin |
| 260 | |c 2022 | ||
| 300 | |a 120-124 | ||
| 490 | 0 | |a DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA |v 6 No. 1 | |
| 520 | 3 | |a Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video images is carefully balanced between the refusal of ontological idealism on the one hand (exemplified by works of André Bazin and D. N. Rodowick, among others), and on the other, the refusal of the reduction of video images to mere textual signifiers. | |
| 650 | 4 | |a Nyelvek és irodalom | |
| 856 | 4 | 0 | |u http://publicatio.bibl.u-szeged.hu/25884/1/Disegno2022_1TotalCinema-FilmandDesign-ErvinTorok.pdf |z Dokumentum-elérés |