The loss of innocence Catullan intertexts in Vergil's eclogue 8 and the Camilla episode of the Aeneid /

In ancient Rome, some elements of the wedding ritual (e.g. the raptio or the defloration) could be associated with aggression and death. In Catullus 62 and 66 – two poems dealing with the topic of marriage –, these connotations get a special emphasis, in part due to the motif of cutting symbolizing...

Teljes leírás

Elmentve itt :
Bibliográfiai részletek
Szerző: Somfai Péter
Testületi szerző: Sapiens ubique civis (7.) (2019) (Szeged)
Dokumentumtípus: Cikk
Megjelent: University of Szeged Szeged 2021
Sorozat:Sapiens ubique civis 1
Kulcsszavak:Klasszika-filológia, Latin irodalom - költészet
Tárgyszavak:
doi:10.14232/suc.2020.1.121-139

Online Access:http://acta.bibl.u-szeged.hu/74858
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520 3 |a In ancient Rome, some elements of the wedding ritual (e.g. the raptio or the defloration) could be associated with aggression and death. In Catullus 62 and 66 – two poems dealing with the topic of marriage –, these connotations get a special emphasis, in part due to the motif of cutting symbolizing violence and changing. In this paper, I examine the way the above mentioned poems constitute the background for the allusion to Medea in Vergil’s Eclogue 8 and the depiction of Camilla in Book 11 of the Aeneid. It will be of fundamental importance to observe the way aggressiveness – being a traditional characteristic of men – gets transferred to women, by means of intertextual connections. 
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