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   <subfield code="a">https://doi.org/10.14232/antikren.2019.4.27-36</subfield>
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   <subfield code="a">SZTE Egyetemi Kiadványok Repozitórium</subfield>
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   <subfield code="a">Bán Katalin</subfield>
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   <subfield code="a">Seneca Medeájának őrület-metaforái</subfield>
   <subfield code="h">[elektronikus dokumentum] /</subfield>
   <subfield code="c"> Bán Katalin</subfield>
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   <subfield code="a">MTA-SZTE Antikvitás és reneszánsz: források és recepció Kutatócsoport</subfield>
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   <subfield code="a">Antikvitás és reneszánsz</subfield>
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   <subfield code="a">Seneca’s tragedies are characterized by widespread use of metaphors, emotions and personality traits of heroes and heroines often appear in imagery representations. In my study, I intend to examine the central anger metaphors and pictorial representations of Seneca’s Medea, that is, the metaphors of various manifestations of the sea storm, the fire and the snake which are represented and in many cases intertwined with each other in the character of the heroine. The Medea is a drama of the anger, the destructive forces in the soul, the revenge, which Seneca often expresses with the use of these pictorial representations and compares them to the destructive forces of nature. Their various aspects are complex and versatile in Seneca’s prose and poetry.</subfield>
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   <subfield code="a">Bölcsészettudományok</subfield>
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   <subfield code="a">Nyelvek és irodalom</subfield>
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   <subfield code="a">Seneca Lucius Annaeus</subfield>
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   <subfield code="u">http://acta.bibl.u-szeged.hu/68524/1/antikvitas_es_reneszansz_004_027-036.pdf</subfield>
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