A néző, aki túl sokat látott Roman Polanski Iszonyat című filmjének feminista megközelítése a voyeurizmuson keresztül /

The viewer who saw too much The feminist examination of Repulsion : The aim of this paper is the feminist analysis of the visual features of some movie scenes and camera shots in roman Polanski’s Repulsion (1965). I would also prove this creation demonstrates that phallocentric society oppresses wom...

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Bibliographic Details
Main Author: Csondor Soma
Format: Book part
Published: 2017
Series:Móra Akadémia 4
Móra Akadémia : szakkollégiumi tanulmánykötet 4. 4
Kulcsszavak:Filmesztétika, Filmművészet
Online Access:http://acta.bibl.u-szeged.hu/53807
Description
Summary:The viewer who saw too much The feminist examination of Repulsion : The aim of this paper is the feminist analysis of the visual features of some movie scenes and camera shots in roman Polanski’s Repulsion (1965). I would also prove this creation demonstrates that phallocentric society oppresses women. In my paper, I mainly focus on a certain scene, where voyeurism is immensely important. This “scopophilia” reveals that the moviegoers are the real voyeurs (for instance, The imaginary signifier by Christian Metz and Cinema as Window and Frame by Thomas Elsaesser and Malte Hagener). starting from this position I conclude that the subjective camera shot and the previous act’s context create a metalepsis. The aim of the metalepsis reveals the collective social problem that is the sexual oppression against women.
Physical Description:114-121
ISSN:2064-809X